New Orleans quartet sings since 1999

A four-part harmony filled the air near Canal Street in Mid City on a recent evening. The group, Southern Tradition, has performed together since 1999. They represent a continuing commitment to a specific American vocal style in New Orleans.

The quartet consists of four men with distinct professional backgrounds who combine their voices into a single sound. Karl Hansen works as a doctor and sings bass. Hansen Eschette is a medical technician who covers the tenor part. Joe Jacquat is a civil engineer singing baritone. Johnnie Oufnac is a barber and sings lead. Hansen noted that the only requirement for participation is to avoid embarrassment while continuing to sing.

Long-term collaboration allows the singers to predict each other's movements during a performance. Hansen explained that their long history together helps them harmonize by understanding where the other members are heading musically. This dynamic relies on repeated practice and mutual familiarity rather than technical complexity.

Zachary Matherne, an award-winning singer with the group NOLA Vox, described New Orleans as a central point for basic American music. He pointed to Louis Armstrong as a prime example of the city's vocal roots, noting that Armstrong sang in a quartet before he began playing a horn. Matherne also leads The Dreamers, a coed barbershop quartet that grew out of NOLA Vox.

Local participants view female voices as a valuable addition to this traditionally male art form. Sarah Todd, a singer, said it is enjoyable to compare her abilities with others. Matt Ridley stated that ladies are necessary to reach high notes, adding that while some men can sing those notes, the female delivery is more appealing. The singers perform for passion rather than income, joining voices every few weeks.

New Orleans has a history of hosting large international competitions for these groups. Matherne recalled that the last major international event in the city took place in 1992 at the Superdome. For local groups like Southern Tradition, the focus remains on camaraderie and the quality of the harmony. Ridley described the experience of learning parts thoroughly and hearing them come together as a beautiful outcome.